Shakespeare Quarterly, Volume 52, Issues 1-3

actor appears argues audience becomes body Cambridge century character context court critical cultural death Derrida desire directed discussion domestic drama early modern edition effect Elizabethan England English essay example exchange fact fairies figure final follow gift give Hamlet hand Henry human imagination important includes interest John Juliet kind King language light London look Luhrmann's magic means nature notes offers opening original performance perhaps play play's poem poetry political popular possible practice present Press production Prospero's provides question readers references relation relationship Renaissance represented response Richard Romeo scene seems sense sexual Shakespeare social Sonnets speech spirits stage story suggests Tempest theater theatrical thing Timon tion tradition tragedy turn University visual women writes York young