Sometimes the folly benefits mankind;
And rarely avarice taints the tuneful mind.
Allow him but his plaything of a pen,
He ne'er rebels, or plots, like other men.
Flights of cashiers, or mobs he'll never mind,
And knows no losses while the Muse is kind.
To cheat a friend, or ward, he leaves to Peter;
The good man heaps up nothing but mere metre;
Enjoys his garden and his book in quiet;
And then-a perfect hermit in his diet.

Of little use the man you may suppose,
Who says in verse, what others say in prose :
Yet let me show a poet's of some weight,
And (though no soldier) useful to the state.
What will a child learn sooner than a song?
What better teach a foreigner the tongue?
What's long or short, each accent where to place,
And speak in public with some sort of grace?
I scarce can think him such a worthless thing,
Unless he praise some monster for a king:
Or virtue, or religion turn to sport,
To please a lewd or unbelieving court.
Unhappy Dryden !—In all Charles's days,
Roscommon only boasts unspotted bays;
And in our own (excuse some courtly strains)
No whiter page than Addison remains.
He from the taste obscene reclaims our youth,
And sets the passions on the side of truth,
Forms the soft bosom with the gentlest art,
And pours each human virtue in the heart.
Let Ireland tell how wit upheld her cause,
Her trade supported, and supplied her laws;
And leave on Swift this grateful verse engraved
"The rights a court attack'd, a poet saved.'
Behold the hand that wrought a nation's cure,
Stretch'd to relieve the idiot and the poor,
Proud vice to brand, or injured worth adorn,
And stretch the ray to ages yet unborn.

Not but there are, who merit other palms;
Hopkins and Sternhold glad the heart with psalms,
The boys and girls whom charity maintains,
Implore your help in these pathetic strains :
How could devotion touch the country pews,
Unless the gods bestowed a proper muse?
Verse cheers their leisure, verse assists their work,
Verse prays
and Turk.
for peace, or sings down pope
The silenced preacher yields to potent strain,
And feels that grace his prayer besought in vain ;
The blessing thrills through all the labouring throng,
And heaven is won by violence of song.

Our rural ancestors, with little bless'd
Patient of labour when the end was rest,
Indulged the day that housed their annual grain,
With feasts, and offerings, and a thankful strain;
The joy their wives, their sons, and servants share,
Ease of their toil, and partners of their care:
The laugh, the jest, attendants on the bowl,
Smoothed every brow, and open'd every soul:
With growing years the pleasing licence grew,
And taunts alternate innocently flew.
But times corrupt, and nature ill-inclined,
Produced the point that left a sting behind;
Till, friend with friend, and families at strife,
Triumphant malice raged through private life.
Who felt the wrong, or fear'd it, took the alarm,
Appeal'd to law, and justice lent her arm.
At length by wholesome dread of statutes bound,
The poets learn'd to please, and not to wound;
Most warp'd to flattery's side; but some more nice,
Preserved the freedom and forbore the vice.
Hence satire rose, that just the medium hit,
And heals with morals what it hurts with wit.
We conquer'd France, but felt our captive's charms
Her arts victorious triumph'd o'er our arms;
Britain to soft refinements less a foe,
Wit grew polite, and numbers learn'd to flow.

Waller was smooth; but Dryden taught to join
The varying verse, the full resounding line,
The long majestic march, and energy divine :
Though still some traces of our rustic vein
And splayfoot verse remain'd, and will remain
Late, very late, correctness grew our care,
When the tired nation breathed from civil war,
Exact Racine, and Corneille's noble fire,
Show'd us that France had something to admire
Not but the tragic spirit was our own,
And full in Shakspeare, fair in Otway, shone :
But Otway fail'd to polish or refine,

And fluent Shakspeare scarce effaced a line.
E'en copious Dryden wanted, or forgot,
The last and greatest art, the art to blot.
Some doubt, if equal pains, or equal fire,
The humbler muse of comedy require.
But in known images of life, I guess
The labour greater, as the indulgence less.
Observe how seldom e'en the best succeed:
Tell me if Congreve's fools are fools indeed?
What pert low dialogue has Farquhar writ!
How Van wants grace, who never wanted wit.
The stage how loosely does Astræa tread,
Who fairly puts all characters to bed!
And idie Cibber, how he breaks the laws,
To make poor Pinkey eat with vast applause!
But fill their purse, our poets' work is done,
Alike to them, by pathos or by pun.

O you! whom vanity's light bark conveys
On fame's mad voyage by the wind of praise,
With what a shifting gale your course you ply,
For ever sunk too low, or borne too high;
Who pants for glory finds but short repose;
A breath revives him, or a breath o'erthrows
Farewell the stage! if, just as thrives the play
The silly bard grows fat, or falls away.
There still remains, to mortify a wit,
The many-headed monster of the pit:

A senseless, worthless, and unhonour'd crowd:
Who, to disturb their betters mighty proud,
Clattering their sticks before ten lines are spoke,
Call for the farce, the bear, or the black-joke.
What dear delight to Britons farce affords !
Ever the taste of mobs, but now of lords!
(Taste, that eternal wanderer, which flies
From heads to ears, and now from ears to eyes :)
The play stands still; damn action and discourse,
Back fly the scenes, and enter foot and horse;
Pageants on pageants, in long order drawn,
Peers, heralds, bishops, ermine, gold, and lawn
The champion too! and to complete the jest,
Old Edward's armour beams on Cibber's breast
With laughter sure Democritus had died,
Had he beheld an audience gape so wide.
Let bear or elephant be e'er so white,
The people sure, the people are the sight!
Ah luckless poet! stretch thy lungs and roar,
That bear or elephant shall heed thee more;
While all its throats the gallery extends,
And all the thunder of the pit ascends!
Loud as the wolves, on Orca's stormy steep,
Howl to the roarings of the northern deep.
Such is the shout, the long-applauding note,
At Quin's high plume, or Oldfield's petticoat;
Or when from court a birthday suit bestow'd,
Sinks the lost actor in the tawdry load.
Booth enters-hark! the universal peal!
'But has he spoken?' Not a syllable.

What shook the stage, and made the people stare;
Cato's long wig, flower'd gown, and lacquer'd chair
Yet, lest you think I rally more than teach,
Or praise malignly arts I cannot reach,
Let me for once presume to instruct the times
To know the poet from the man of rhymes:
Tis he who gives my breast a thousand pains,
Can make me feel each passion that he feigns;

Enrage, compose, with more than magic art
With pity, and with terror, tear my heart,
And snatch me o'er the earth, or through the air
To Thebes, to Athens, when he will, and where.
But not this part of the poetic state

Alone, deserves the favour of the great:
Think of those authors, sir, who would rely
More on a reader's sense than gazer's eye.
Or who shall wander where the Muses sing?
Who climb their mountain, or who taste their spring
How shall we fill a library with wit,

When Merlin's cave is half unfurnish'd yet?

My liege! why writers little claim your thought, I guess; and, with your leave, will tell the fault; We poets are (upon a poet's word)

Of all mankind, the creatures most absurd:
The season when to come, and when to go,
To sing, or cease to sing, we never know;
And if we will recite nine hours in ten,
You lose your patience just like other men.
Then too we hurt ourselves, when, to defend
A single verse, we quarrel with a friend;
Repeat unask'd; lament the wit's too fine
For vulgar eyes, and point out every line;
But most, when, straining with too weak a wing,
We needs will write epistles to the king;
And from the moment we oblige the town,
Expect a place or pension from the crown;
Or, dubb'd historians by express command,
To enrol your triumphs o'er the seas and land,
Be call'd to court to plan some work divine,
As once for Louis, Boileau and Racine.

Yet think, great sir! (so many virtues shown)
Ah! think what poet best may make them knowг.
Or choose at least some minister of
grace,
Fit to bestow the laureat's weighty place.

Charles, to late times to be transmitted fair, Assign'd his figure to Bernini's care;