The Quarterly Review, Volume 120John Murray, 1866 - English literature |
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Page 1
... painting the Duke himself exactly as he was , ' appearing as ' the People's edition , ' and from the pen of the Chaplain - General of the Forces , ought to be as attractive a volume as could be placed in the hands of a British subject ...
... painting the Duke himself exactly as he was , ' appearing as ' the People's edition , ' and from the pen of the Chaplain - General of the Forces , ought to be as attractive a volume as could be placed in the hands of a British subject ...
Page 105
... painting had sunk very low . But when art has passed through its various stages of decay till it has lapsed into vapid imitation there is a natural tendency to 6 to a revival . Nothing is left in the Iron and Steel . 105.
... painting had sunk very low . But when art has passed through its various stages of decay till it has lapsed into vapid imitation there is a natural tendency to 6 to a revival . Nothing is left in the Iron and Steel . 105.
Page 106
... painting from its thraldom . He was proud of the free and varied power which was manifested later at the Academy exhibitions , and he used to say , as Farington reports , ' that the independence of the national character was apparent ...
... painting from its thraldom . He was proud of the free and varied power which was manifested later at the Academy exhibitions , and he used to say , as Farington reports , ' that the independence of the national character was apparent ...
Page 107
... painting and his own attempts in portrait were of the literal kind . His theory embodied the vulgar prejudices which have often blunted the perceptions and misled the judgment of persons who are ignorant of art . ' I found , ' he said ...
... painting and his own attempts in portrait were of the literal kind . His theory embodied the vulgar prejudices which have often blunted the perceptions and misled the judgment of persons who are ignorant of art . ' I found , ' he said ...
Page 109
... painting . ' * The comparison was unjust . Johnson was blind in one eye , and could only see with the other by applying it close to an object and gradually moving his head over the surface . He had to look at a picture in succes- sive ...
... painting . ' * The comparison was unjust . Johnson was blind in one eye , and could only see with the other by applying it close to an object and gradually moving his head over the surface . He had to look at a picture in succes- sive ...
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admirable adopted Allan Cunningham ancient appears architecture army artists Baker beauty believe Bessemer Bessemer process Bishop Bokhara Cabul Central Asia century character Charlemagne Church Colonel colonies colour command court criticism decarburization Duke Durendal effect England English fact Farington favour feet force France French furnace galleys Ganelon George Stephenson Gleig Gondokoro Gospel Government Governor Greek hand Herat honour important India interest invention Irenĉus iron Jamaica Jaxartes Johnson Karl Kashgar King Kokand labour lake London look Lord Lord Mornington malleable manufacture Marteilhe ment metal military mind native nature negro nest never Nile Northcote object officers opinion Oxus painter painting party passed persons political portion portrait possession present principles question rails Reform remarkable Reynolds river Roland Russian says side Sir Joshua steel success tion Unyoro Wellesley whole Wilson