Henrik Ibsen's Theatre Aesthetic and Dramatic Art: A Reflection of Kierkegaardian Consciousness, Its Significance for Modern Dramatic Interpretation and the American Theatre : Dobbeltreflexion i Øieblikket |
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action actress aesthetic Alving American artistic audience authorship become Bjørnson Bjørnstjerne Bjørnson Blanka Brand Bygmester Solness Catilina character choice Christianity comedy comic comic-tragic concept consciousness considered critic Danish death dialectic Døde Vågner Dukkehjem Edvard Munch Efterskrifter Ekdal Enkelte Enten-Eller existential expression gaard Gandalf Gengangere Gina Gregers Hedda Gabler Hedvig Henrik Ibsen Hjalmar Hjørdis Ibsen's drama Ibsen's plays idea immediacy individual Ingmar Bergman irony John Gabriel Borkman Kejser og Galilaeer Kierke Kierkegaard and Ibsen Kierkegaardian Kjaerlighedens Komedie Kristiania lack leap Lille Eyolf living Loki Manders modern drama nature Nora Norway Norwegian Øieblikket Osvald pagan Papirer Peer Gynt performance person Phister poet poetic possibility present pseudonyms reality reference reflects Regine religious Relling repetition Rosmersholm says scene Scribe sense significant situation Skirnir Skírnismál Søren Søren Kierkegaard sphere of existence stage Stockman suggests Svanhild Synspunktet theatre theatrical thought tion tragedy tragic Vildanden Volsungasaga Werle writes wrote