Staging Consciousness: Theater and the Materialization of MindStaging Consciousness argues that theater is a living invalidation of the Western dualism of mind and body, activating human consciousness through its embodiment of thought in performance. While consciousness theory has begun to find ways to bridge dualist gaps, Staging Consciousness suggests that theater has anticipated these advances, given the ways in which the physical theater promotes nonphysical thought, connecting the two realms in unique and ingenious ways. William W. Demastes makes use of the writings of such varied theater practitioners as Antonin Artaud, Jerzy Grotowski, Samuel Beckett, Tony Kushner, Sam Shepard, Spalding Gray, Peter Shaffer, and others, illuminating theater as proof that mind is an extension of body. The living stage incubates and materializes thought in a way that highlights the processes of daily existence outside the theater. This book offers a new way for theater practitioners to look at the unique value of the theater and an invitation for philosophers and scientists to search for new paradigms in theater, the oldest of art forms. William W. Demastes is Professor of English, Louisiana State University. His previous books include Theatre of Chaos: Beyond Absurdism, into Disorderly Order. |
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Staging Consciousness: Theater and the Materialization of Mind William W. Demastes Limited preview - 2002 |
Staging Consciousness: Theater and the Materialization of Mind William W. Demastes No preview available - 2002 |
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accept activity actually agenda appears argues Artaud audience awareness become bivalent body brain Cartesian central chaos characters complex concept consciousness considered contemporary course created critical crucial cultural Dennett develop discrete drama dualism efforts emergent engage essential example existence experience explain fact finally fully given Gray Gray's grounded human idea individual interaction language leads least less linear literally logic look material materialist matter means mechanism mental merely mind move multivalent mystery mystical nature neural notes observes occurs operates parallel patterns performance perhaps perspective physical play possible potential premises present Press production quantum quantum mechanics reality realm reduc reflection responses result reveals scientific seems sense serial Shaffer sighted simply sort soul stage suggests theater theory thing thought tion traditional turn ultimately understanding University urge vision Western whole York
References to this book
Cyberculture, Cyborgs and Science Fiction: Consciousness and the Posthuman William S. Haney No preview available - 2006 |