Virgil's Gaze: Nation and Poetry in the AeneidVirgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. |
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... sides of the Italian war in Books 9–12, the bloody prerequisite to Aeneas' settlement, are not cleanly defined ... side), famously “looks to heaven and, dying, remembers sweet Argos” (10.781–82 caelumque / aspicit et dulcis moriens ...
... sides. The ethnic presences they bring to a cumulative Roman identity, I suggest, prevent that identity from ever being ... side may have clearly Asiatic names like Asius, Assaracus, and Thymbris (10.123–24), overflowing with Anatolian ...
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Contents
1 | |
Euryalus | 16 |
Turnus | 44 |
Dido | 73 |
Andromache | 101 |
Ancient Cities | 129 |
Marcellus | 148 |
Aeneas | 173 |
BIBLIOGRAPHY | 203 |
INDEX OF TEXTS CITED | 211 |
GENERAL INDEX | 223 |