Virgil's Gaze: Nation and Poetry in the AeneidVirgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. |
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... called “Hesperia” at key moments, identified—from a Hellenophone standpoint—as “Land of the Evening Star”), with the ethnic self, or with any unified identity. For similar reasons I shall often employ the term “Oriental” rather than ...
... called from Io's father Inachus) make their way back west—following Europa—and settle in Greek lands, sometimes with conflict and bloodshed. Hellenistic Greek poets—Apollonius, Euphorion, Lycophron—had performed their own versions of ...
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Contents
1 | |
Euryalus | 16 |
Turnus | 44 |
Dido | 73 |
Andromache | 101 |
Ancient Cities | 129 |
Marcellus | 148 |
Aeneas | 173 |
BIBLIOGRAPHY | 203 |
INDEX OF TEXTS CITED | 211 |
GENERAL INDEX | 223 |