Virgil's Gaze: Nation and Poetry in the AeneidVirgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. |
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... Pallas and Turnus, for example). The presence among the Italian army of Greek figures like Aventinus, Virbius, and Halaesus approximates it to the Greek army that fought against Aeneas in the Trojan War; but the Trojan army, too ...
... Pallas, Camilla, and Lausus in distinctly erotic terms. Thematically the images in chapter 1 prove vital to our main topic, since the slain warriors in question come from different nations that will one day be absorbed into the Roman ...
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Contents
1 | |
Euryalus | 16 |
Turnus | 44 |
Dido | 73 |
Andromache | 101 |
Ancient Cities | 129 |
Marcellus | 148 |
Aeneas | 173 |
BIBLIOGRAPHY | 203 |
INDEX OF TEXTS CITED | 211 |
GENERAL INDEX | 223 |