The Science of Discourse: A Rhetoric for High Schools and Colleges |
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Page xiii
... OBJECT OF PERCEPTION - 182 185 - 185 191 194 196 198 Correctness 199 Distinctness 199 Brevity 200 Euphony - 202 Harmony 207 Rhythm 211 THE DIRECT RELATION OF LANGUAGE TO THOUGHT 221 ASSOCIATION OF LANGUAGE FORM WITH IDEAS - 222 ...
... OBJECT OF PERCEPTION - 182 185 - 185 191 194 196 198 Correctness 199 Distinctness 199 Brevity 200 Euphony - 202 Harmony 207 Rhythm 211 THE DIRECT RELATION OF LANGUAGE TO THOUGHT 221 ASSOCIATION OF LANGUAGE FORM WITH IDEAS - 222 ...
Page 11
... objects in expressing thought . The tree , the mountain , the sky , the rain- bow , all say something to us when we look upon them . " To him who in the love of nature holds Communion with her visible forms , she speaks A various ...
... objects in expressing thought . The tree , the mountain , the sky , the rain- bow , all say something to us when we look upon them . " To him who in the love of nature holds Communion with her visible forms , she speaks A various ...
Page 12
... object in the universe , words and sentences included , in the fact of expressing thought , or having meaning . It lifts itself out of the universe of objects , with the exception of a small group , by the fact of existing for the sole ...
... object in the universe , words and sentences included , in the fact of expressing thought , or having meaning . It lifts itself out of the universe of objects , with the exception of a small group , by the fact of existing for the sole ...
Page 25
... object he describes . This does not prevent a speaker or writer from presenting his own experience when that is the topic called for ; but the temptation to get into the foreground of the discussion must be silenced . It is a safe rule ...
... object he describes . This does not prevent a speaker or writer from presenting his own experience when that is the topic called for ; but the temptation to get into the foreground of the discussion must be silenced . It is a safe rule ...
Page 27
... object of the discourse should hold everything in control from beginning to end . What is known as natural eloquence arises from the speaker's being caught up by the inspiration , the power of an aim . An intense aim is creative ; the ...
... object of the discourse should hold everything in control from beginning to end . What is known as natural eloquence arises from the speaker's being caught up by the inspiration , the power of an aim . An intense aim is creative ; the ...
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Common terms and phrases
adaptation Allegory Amphibrach Anapaest apples argument arises Asyndeton attention attri basis beauty called cause and effect clear common comparison and contrast conception concrete condition connection conscious copula definite discourse distinct effort Elegance elements emotions end sought energy essential euphony examples exemplification exposition express attributes fact feeling force given gives growing on trees guage harmony hearer Hence idea ideal imagination impression individual induction inferred interpretation judgment language form law of unity liquid consonants literal logical means ment Metaphor Metonymy mind addressed move movement narration nature object oration oratory organized paronyms periodic sentence phase Pleonasm poem poetry Polysyndeton presented principle produced prose purpose reader relation requires resemblance rhetoric Saxon says secured selection sense sentence Simile sound speaker style syllable syllogism Synecdoche Tautology tences theme things thought tion Trochee truth unified utterance verb vidual vincing power whole words writer
Popular passages
Page 220 - And what is so rare as a day in June ? Then, if ever, come perfect days ; Then Heaven tries the earth if it be in tune, • » And over it softly her warm ear lays...
Page 219 - So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
Page 220 - T^EAR death?— to feel the fog in my throat The mist in my face, When the snows begin, and the blasts denote I am nearing the place, The power of the night, the press of the storm, The post of the foe...
Page 90 - UP from the meadows rich with corn, Clear in the cool September morn, The clustered spires of Frederick stand Green-walled by the hills of Maryland.
Page 333 - THE snow had begun in the gloaming, And busily all the night Had been heaping field and highway With a silence deep and white. Every pine and fir and hemlock Wore ermine too dear for an earl, And the poorest twig on the elm-tree Was ridged inch deep with pearl.
Page 338 - THE day is cold, and dark, and dreary ; It rains, and the wind is never weary ; The vine still clings to the mouldering wall, But at every gust the dead leaves fall, And the day is dark and dreary.
Page 332 - I hear the tread of pioneers Of nations yet to be ; The first low wash of waves, where soon Shall roll a human sea.
Page 261 - As long as you have the wisdom to keep the sovereign authority of this country as the sanctuary of liberty, the sacred temple consecrated to our common faith, wherever the chosen race and sons of England worship freedom, they will turn their faces towards you.
Page 221 - Ye who believe in affection that hopes, and endures, and is patient, Ye who believe in the beauty and strength of woman's devotion, List to the mournful tradition, still sung by the pines of the forest ; List to a Tale of Love in Acadie, home of the happy.
Page 14 - And the stately ships go on To their haven under the hill ; But O for the touch of a vanish'd hand, And the sound of a voice that is still ! Break, break, break At the foot of thy crags, O Sea ! But the tender grace of a day that is dead Will never come back to me.