Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 107
... writing or reading of a text so labeled . For instance , a historian may collect dated occurrences of the use of the French word roman up to the present . But , if this word is to be recognized as a genre label , considerations ...
... writing or reading of a text so labeled . For instance , a historian may collect dated occurrences of the use of the French word roman up to the present . But , if this word is to be recognized as a genre label , considerations ...
Page 110
... writer's interpretation of his own text necessarily produces the most coherent result . I reject this postulate . b . Strictly speaking , the writer of a text is the writer of this text as long as he has not finished writing it . It ...
... writer's interpretation of his own text necessarily produces the most coherent result . I reject this postulate . b . Strictly speaking , the writer of a text is the writer of this text as long as he has not finished writing it . It ...
Page 138
... writers make their noble patrons responsible for the selection of prose.91 During the wan- ing Middle Ages " urban ... writing something out of one's soul , " presupposes communication in order to be effec- tive . Thus , consciously or ...
... writers make their noble patrons responsible for the selection of prose.91 During the wan- ing Middle Ages " urban ... writing something out of one's soul , " presupposes communication in order to be effec- tive . Thus , consciously or ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing