Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 72
... whole work , or examine , as it were , the whole animal . More important , every trait that Todorov assigns to the fantastic , apart from its defining characteristic , is , as he acknowledges , shared by works in other genres as well ...
... whole work , or examine , as it were , the whole animal . More important , every trait that Todorov assigns to the fantastic , apart from its defining characteristic , is , as he acknowledges , shared by works in other genres as well ...
Page 110
... whole differs from the attempt to understand the idiolect of a writer , that is to say , to establish a correspon- dence between the idiolect of the interpreter ( definiens ) and the idiolect of the writer ( definiendum ) . This ...
... whole differs from the attempt to understand the idiolect of a writer , that is to say , to establish a correspon- dence between the idiolect of the interpreter ( definiens ) and the idiolect of the writer ( definiendum ) . This ...
Page 231
... whole which determines the meaning of the individual parts - analogous to dramatic sus- pense which results from our comprehension of the action in its totality . In this progression " the lyrical " realizes man's primordial and most ...
... whole which determines the meaning of the individual parts - analogous to dramatic sus- pense which results from our comprehension of the action in its totality . In this progression " the lyrical " realizes man's primordial and most ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing