Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 16
... universal in the most qualitative of art forms , one finds quite interesting observations in the works of Marcel Proust . See in this connection Robert Rey , Contre l'art abstrait ( Paris : Flammarion , 1957 ) . The art of puzzle ...
... universal in the most qualitative of art forms , one finds quite interesting observations in the works of Marcel Proust . See in this connection Robert Rey , Contre l'art abstrait ( Paris : Flammarion , 1957 ) . The art of puzzle ...
Page 108
... universal , as a property or set of properties , which materializes itself historically through production events which are not necessarily clustered spatiotemporally . Since these events are accepted as discrete , gathering them ...
... universal , as a property or set of properties , which materializes itself historically through production events which are not necessarily clustered spatiotemporally . Since these events are accepted as discrete , gathering them ...
Page 120
... universal as a result of the reference of village life to a cosmic order . At the same time the action achieves universal significance in the adventure of the children during the holy Christmas Eve . While the people in the village ...
... universal as a result of the reference of village life to a cosmic order . At the same time the action achieves universal significance in the adventure of the children during the holy Christmas Eve . While the people in the village ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing