Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 161
... understanding it is not safe to trespass . And , second , there is more than enough evidence and incentive to investigate these songs anew in terms of their genres and to understand them in relation to the folk narratives from which ...
... understanding it is not safe to trespass . And , second , there is more than enough evidence and incentive to investigate these songs anew in terms of their genres and to understand them in relation to the folk narratives from which ...
Page 230
... understanding of literary genres . What distinguishes all morphological genre definitions from his- torical - descriptive ones is their foundation in a synthesizing view of man and life . They conceive of man as a self - contained whole ...
... understanding of literary genres . What distinguishes all morphological genre definitions from his- torical - descriptive ones is their foundation in a synthesizing view of man and life . They conceive of man as a self - contained whole ...
Page 231
... understanding of literary genres . In the first part of his “ fundamental poetics " Staiger discusses what he considers the three principal genres : " the lyric , " " the epic , " and " the dramatic " and demonstrates how to free the ...
... understanding of literary genres . In the first part of his “ fundamental poetics " Staiger discusses what he considers the three principal genres : " the lyric , " " the epic , " and " the dramatic " and demonstrates how to free the ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing