Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 129
... types . For the Middle Ages , bound as they were to tradition , there is little danger that no distinct and relatively heavily populated types will appear . Let us now turn to the particular situation of medieval literature as the ...
... types . For the Middle Ages , bound as they were to tradition , there is little danger that no distinct and relatively heavily populated types will appear . Let us now turn to the particular situation of medieval literature as the ...
Page 254
... types of works upon perceivers ( e.g. , Aristotle's catharsis ) . However , largely ignored by traditional genre theory were such issues as the following : the relation of the work of art to its envi- ronment , including both its narrow ...
... types of works upon perceivers ( e.g. , Aristotle's catharsis ) . However , largely ignored by traditional genre theory were such issues as the following : the relation of the work of art to its envi- ronment , including both its narrow ...
Page 263
... type lyrical poetry from the standpoint of the grammatical categories utilized in the various types and subtypes of ... types of communicative relationships depending upon the first , second , and third person , and on various in ...
... type lyrical poetry from the standpoint of the grammatical categories utilized in the various types and subtypes of ... types of communicative relationships depending upon the first , second , and third person , and on various in ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing