Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 22
... tion is symbolically at work . It is the obscenity of the meaning of what is perceived and a latent consciousness of his own implica- tion in Verhovensky's voracious cannibalism ( and not simply the accumulated impatience , resentment ...
... tion is symbolically at work . It is the obscenity of the meaning of what is perceived and a latent consciousness of his own implica- tion in Verhovensky's voracious cannibalism ( and not simply the accumulated impatience , resentment ...
Page 186
... tion , it can be either regressive or progressive , conservative or liberal . It can anticipate reality over the expectation horizon to a historical situation and confer the nature of reality to it in the reception process . The ...
... tion , it can be either regressive or progressive , conservative or liberal . It can anticipate reality over the expectation horizon to a historical situation and confer the nature of reality to it in the reception process . The ...
Page 246
... tion of the poetic attitude is to create from within itself the object- relation as immediate reaction . This is possible only if a continu- ous relationship between subject and object is presupposed . Con- nected with this is the self ...
... tion of the poetic attitude is to create from within itself the object- relation as immediate reaction . This is possible only if a continu- ous relationship between subject and object is presupposed . Con- nected with this is the self ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing