Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 3
... things . " There are two ways of knowing a thing , either empirically , in a manner that is more or less inexplicable but which has the advantage of being concrete , or " through a discourse which shows us why the thing exists " —that ...
... things . " There are two ways of knowing a thing , either empirically , in a manner that is more or less inexplicable but which has the advantage of being concrete , or " through a discourse which shows us why the thing exists " —that ...
Page 22
... things at once - eating with relish and pondering deeply . Liputin loathed him so intensely at last that he could not tear himself away . It was like a nervous obsession . He counted every morsel of beefsteak that Pyotr Stepanovitch put ...
... things at once - eating with relish and pondering deeply . Liputin loathed him so intensely at last that he could not tear himself away . It was like a nervous obsession . He counted every morsel of beefsteak that Pyotr Stepanovitch put ...
Page 59
... things with similar but better known structures . One way to render something intelligible is to ask : " How shall we regard this sort of thing ? " But " explain " also has other meanings , and genres are some- times treated as ...
... things with similar but better known structures . One way to render something intelligible is to ask : " How shall we regard this sort of thing ? " But " explain " also has other meanings , and genres are some- times treated as ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing