Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
From inside the book
Results 1-3 of 77
Page 57
... THEORY Let us begin with an elemental distinction between genre criti- cism and genre theory . Let us regard genre criticism as discourse which makes use of the fact that literary works can be classified or separated into groups or ...
... THEORY Let us begin with an elemental distinction between genre criti- cism and genre theory . Let us regard genre criticism as discourse which makes use of the fact that literary works can be classified or separated into groups or ...
Page 254
Joseph Strelka. Thomas G. Winner STRUCTURAL AND SEMIOTIC GENRE THEORY Literary genre theory attempts to typologize works of verbal art , that is , it attempts to determine subtypes composing a universal art form for which there is ...
Joseph Strelka. Thomas G. Winner STRUCTURAL AND SEMIOTIC GENRE THEORY Literary genre theory attempts to typologize works of verbal art , that is , it attempts to determine subtypes composing a universal art form for which there is ...
Page 257
... theory have been so meagerly developed over the past decades . Is it , as Jauss ( 1970 : 79 ) puts it , that normative genre theory of the nine- teenth century has given the entire topic a bad name ? Or is it rather the greatness of the ...
... theory have been so meagerly developed over the past decades . Is it , as Jauss ( 1970 : 79 ) puts it , that normative genre theory of the nine- teenth century has given the entire topic a bad name ? Or is it rather the greatness of the ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
9 other sections not shown
Other editions - View all
Common terms and phrases
aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing