Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 46
... structure remains far more acceptable . The genres are structures in the sense of being unitary modes of literary construction , the principle on the basis of which Aristotle himself pointed out that the poet " was not allowed to apply ...
... structure remains far more acceptable . The genres are structures in the sense of being unitary modes of literary construction , the principle on the basis of which Aristotle himself pointed out that the poet " was not allowed to apply ...
Page 72
... structure of the literary work , one ought to be able , knowing a single trait , to reconstruct all the others . The analogy is valid , moreover , precisely at the level of the genre : Cuvier , too , claimed to define the species , not ...
... structure of the literary work , one ought to be able , knowing a single trait , to reconstruct all the others . The analogy is valid , moreover , precisely at the level of the genre : Cuvier , too , claimed to define the species , not ...
Page 186
... structure and reception shows , the nonreal- ity in the as - if structure of reality remains hidden from the recipi- ent , this criticism is setting up a straw man . For the recipient , who experiences as reality the reality produced at ...
... structure and reception shows , the nonreal- ity in the as - if structure of reality remains hidden from the recipi- ent , this criticism is setting up a straw man . For the recipient , who experiences as reality the reality produced at ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing