Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 5
... story from a novel , except the dimensions ( as in a contrast of a short story by Maupassant or Hawthorne with a novel by Balzac or James ) . The theater is nothing but a mode of presentation of the fictional or poetical substance ...
... story from a novel , except the dimensions ( as in a contrast of a short story by Maupassant or Hawthorne with a novel by Balzac or James ) . The theater is nothing but a mode of presentation of the fictional or poetical substance ...
Page 158
... story has beginning , middle , and end , not only in the Aristotelian sense but in the Proppian . Such a tale is the antithesis of formlessness ; and a ge- neric taxonomy cannot be a controversial matter . A similar pattern informs ...
... story has beginning , middle , and end , not only in the Aristotelian sense but in the Proppian . Such a tale is the antithesis of formlessness ; and a ge- neric taxonomy cannot be a controversial matter . A similar pattern informs ...
Page 160
... story in his mind which in the beginning he is prepared to sing . He will not have memorized the rhetoric , as we know , but he will have pre- pared the " plot outline " of his song . If he departs from that narra- tive scheme , surely ...
... story in his mind which in the beginning he is prepared to sing . He will not have memorized the rhetoric , as we know , but he will have pre- pared the " plot outline " of his song . If he departs from that narra- tive scheme , surely ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing