Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 171
... statement - subject ) .13 Assuming a genuine statement - subject to underlie the lyrical form of presen- tation is to say that a poem is nothing more than a specially structured personal confession.14 Hofmannsthal correctly rejected ...
... statement - subject ) .13 Assuming a genuine statement - subject to underlie the lyrical form of presen- tation is to say that a poem is nothing more than a specially structured personal confession.14 Hofmannsthal correctly rejected ...
Page 173
... statement subject seems un- changed by the concept of " figural poem , " that is , even in the figural poem the object pole is not omitted from the experience field of the statement subject . Therefore , in contrast with Ham- burger ...
... statement subject seems un- changed by the concept of " figural poem , " that is , even in the figural poem the object pole is not omitted from the experience field of the statement subject . Therefore , in contrast with Ham- burger ...
Page 238
... statement about the statement - object . The different degrees and relation- ships within this correlation depend on the sentence modalities and on the three types of statement - historical , theoretical , and pragmatic . But the fact ...
... statement about the statement - object . The different degrees and relation- ships within this correlation depend on the sentence modalities and on the three types of statement - historical , theoretical , and pragmatic . But the fact ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing