Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
From inside the book
Results 1-3 of 51
Page 73
... sense in which it is very reason- able to speak about the relations between the various aspects of a work , and about the " consequences " of the defining characteristic of the genre . Like Aristotle and the Chicagoans , and ( for once ) ...
... sense in which it is very reason- able to speak about the relations between the various aspects of a work , and about the " consequences " of the defining characteristic of the genre . Like Aristotle and the Chicagoans , and ( for once ) ...
Page 96
... sense . However , classical phenomenology is so taken with its basic category of being in the world that it tends ... sense dif- fers from dramatic sense . Equated with an appropriateness to be felt , comprehension may be recognized as ...
... sense . However , classical phenomenology is so taken with its basic category of being in the world that it tends ... sense dif- fers from dramatic sense . Equated with an appropriateness to be felt , comprehension may be recognized as ...
Page 97
... sense than the positivistic sense I adopt , philosophy might become “ cognitive . " Or the same conceptualized names and the same definitions might be adopted , and yet their application to the same text lead to different results for ...
... sense than the positivistic sense I adopt , philosophy might become “ cognitive . " Or the same conceptualized names and the same definitions might be adopted , and yet their application to the same text lead to different results for ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
9 other sections not shown
Other editions - View all
Common terms and phrases
aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing