Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page vii
... seems , however , to be little agreement on how to use the concept of genre to create such order . The individual genres themselves undergo constant change and evolution . Genre criti- cism itself , furthermore , is also , for both ...
... seems , however , to be little agreement on how to use the concept of genre to create such order . The individual genres themselves undergo constant change and evolution . Genre criti- cism itself , furthermore , is also , for both ...
Page 44
... seems to be first to adopt this trichotomy whose modern modified version Emil Staiger discovers in " recollection " ( Erinnerung ) , “ representation " ( Vorstellung ) , and " tension " ( Spannung ) , the corresponding forms for the ...
... seems to be first to adopt this trichotomy whose modern modified version Emil Staiger discovers in " recollection " ( Erinnerung ) , “ representation " ( Vorstellung ) , and " tension " ( Spannung ) , the corresponding forms for the ...
Page 184
... seems to recognize ' true real- ity ' ... in the fictional image . ” 40 The capability of the preterit to express concluded actions can surely not be crucial to the singular reception phenomenon of observing the fiction unreflected as ...
... seems to recognize ' true real- ity ' ... in the fictional image . ” 40 The capability of the preterit to express concluded actions can surely not be crucial to the singular reception phenomenon of observing the fiction unreflected as ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing