Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 36
... represent possibilities which are inherent in the human mind . Oedipus Rex ( like the novels of Tolstoy ) is a product of ... represents the claims of the subjective imagination as well as the historically grounded and morally oriented ...
... represent possibilities which are inherent in the human mind . Oedipus Rex ( like the novels of Tolstoy ) is a product of ... represents the claims of the subjective imagination as well as the historically grounded and morally oriented ...
Page 69
... represents events and calls the reader's attention to those events . 7. Poetry calls attention to the language of the text itself . 8. The time - bound necessitates a left - right reading . 9. Themes of I represent events that exemplify ...
... represents events and calls the reader's attention to those events . 7. Poetry calls attention to the language of the text itself . 8. The time - bound necessitates a left - right reading . 9. Themes of I represent events that exemplify ...
Page 238
... represents the product of the mimetic narrative function . According to Hamburger , the same thing applies to the drama as well . Because of the poetological form of the drama , the system of dialogue , she is forced , however , to deny ...
... represents the product of the mimetic narrative function . According to Hamburger , the same thing applies to the drama as well . Because of the poetological form of the drama , the system of dialogue , she is forced , however , to deny ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing