Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 113
... relationship to a broad design . In contrast to static description , the rhetoric of narration orga- nizes events , establishes a dynamic relationship between present and past , and involves protagonists in actions that capture the ...
... relationship to a broad design . In contrast to static description , the rhetoric of narration orga- nizes events , establishes a dynamic relationship between present and past , and involves protagonists in actions that capture the ...
Page 115
... relationships in texts . A reader does not respond to a succession of concrete details but concentrates on their relation ... relationship with other details . Details can , but do not have to , agree with reality . Their most important ...
... relationships in texts . A reader does not respond to a succession of concrete details but concentrates on their relation ... relationship with other details . Details can , but do not have to , agree with reality . Their most important ...
Page 259
... relationship between sign and denotatum , the attention of the perceiver is drawn to the artistic structure qua structure , to its inner relationships , and only then to the denotatum . Not only are aesthetic qualities affected by the ...
... relationship between sign and denotatum , the attention of the perceiver is drawn to the artistic structure qua structure , to its inner relationships , and only then to the denotatum . Not only are aesthetic qualities affected by the ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing