Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 35
... references to the decrees of Fate , and intermittent invocation to Apollo , Artemis , and Athena . In Shakespeare ... reference to the functioning of the human imagination as we have done in treating of the novel . Character and fate ...
... references to the decrees of Fate , and intermittent invocation to Apollo , Artemis , and Athena . In Shakespeare ... reference to the functioning of the human imagination as we have done in treating of the novel . Character and fate ...
Page 60
... reference to any genre , though of course genre may provide a convenient short cut . To explain how any elements came to be present in the work requires an appeal to something other than the class to which the work belongs , an appeal ...
... reference to any genre , though of course genre may provide a convenient short cut . To explain how any elements came to be present in the work requires an appeal to something other than the class to which the work belongs , an appeal ...
Page 245
... reference point is simply not preestablished and must in each instance be posited and presented anew . The object - pole takes on a supratemporal and supraspatial character ; and even if in some cases the object - reference is not ...
... reference point is simply not preestablished and must in each instance be posited and presented anew . The object - pole takes on a supratemporal and supraspatial character ; and even if in some cases the object - reference is not ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing