Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 176
... reception - psychological aspect of the effect of such a text to the recipient , we can reproduce the reception experience , for example , through the concept of “ as - re- ality . " This nonthematizing shift of the observation levels ...
... reception - psychological aspect of the effect of such a text to the recipient , we can reproduce the reception experience , for example , through the concept of “ as - re- ality . " This nonthematizing shift of the observation levels ...
Page 186
... reception shows , the nonreal- ity in the as - if structure of reality remains hidden from the recipi- ent , this criticism is setting up a straw man . For the recipient , who experiences as reality the reality produced at the hands of ...
... reception shows , the nonreal- ity in the as - if structure of reality remains hidden from the recipi- ent , this criticism is setting up a straw man . For the recipient , who experiences as reality the reality produced at the hands of ...
Page 189
... reception . I am using the term " Rezeptionsvorgabe " in the sense in which it is defined by Manfred Naumann and ... reception . Cf. Hamburger , Logic , p . 292 . In order to prevent misunderstandings , be it noted : the difference or ...
... reception . I am using the term " Rezeptionsvorgabe " in the sense in which it is defined by Manfred Naumann and ... reception . Cf. Hamburger , Logic , p . 292 . In order to prevent misunderstandings , be it noted : the difference or ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing