Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 171
... reality element in the work of art . This in turn would cast doubt on the essential status of literature , since the necessary difference between art and reality , the “ distancing of the works from empirical reality , " would be ...
... reality element in the work of art . This in turn would cast doubt on the essential status of literature , since the necessary difference between art and reality , the “ distancing of the works from empirical reality , " would be ...
Page 185
... reality statement ) . The manner in which an author employs autonomy in order to design realities within the structural opportunities cannot be determined by any norm . It is in no way limited by a reproduction regulation which ...
... reality statement ) . The manner in which an author employs autonomy in order to design realities within the structural opportunities cannot be determined by any norm . It is in no way limited by a reproduction regulation which ...
Page 186
... reality remains hidden from the recipi- ent , this criticism is setting up a straw man . For the recipient , who experiences as reality the reality produced at the hands of a " crea- tor , " literature becomes a way of appropriating the ...
... reality remains hidden from the recipi- ent , this criticism is setting up a straw man . For the recipient , who experiences as reality the reality produced at the hands of a " crea- tor , " literature becomes a way of appropriating the ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing