Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 101
... practical versions , the gestural mode of meaning does not designate , but performs , what is signified . A plaintive or angry tone will cover the designative meaning of “ It hurts " with gestural meaning . “ Perform ” is preferred to ...
... practical versions , the gestural mode of meaning does not designate , but performs , what is signified . A plaintive or angry tone will cover the designative meaning of “ It hurts " with gestural meaning . “ Perform ” is preferred to ...
Page 102
... practical , ver- sions for prosaic modes , while it offers no cognitive - practical ver- sion for poetry . Ludic - aesthetic experiences are not mystical raptures . An aes- thetic perspective needs a practical perspective as a frame ...
... practical , ver- sions for prosaic modes , while it offers no cognitive - practical ver- sion for poetry . Ludic - aesthetic experiences are not mystical raptures . An aes- thetic perspective needs a practical perspective as a frame ...
Page 103
... practical uses of language by noting that cognitive and ludic activities take practi- cal time and are thus answerable to moral requirements . This would be the basis of a theory of literature as committed . On the other hand , practical ...
... practical uses of language by noting that cognitive and ludic activities take practi- cal time and are thus answerable to moral requirements . This would be the basis of a theory of literature as committed . On the other hand , practical ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing