Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 4
... poetry , Roman Jakobson possesses a very rich experience of the different art forms as well as a certain idea of what he calls the art of poetry . Unfortu- nately , he does not stop at the experience and the idea , but instead imprisons ...
... poetry , Roman Jakobson possesses a very rich experience of the different art forms as well as a certain idea of what he calls the art of poetry . Unfortu- nately , he does not stop at the experience and the idea , but instead imprisons ...
Page 87
... poetry , unless it was postulated that in writing such poetry the poet was imitating his emotional experiences by " recollecting them in tranquillity . " In fact , not until imitation ceased to be the critical precept could lyric poetry ...
... poetry , unless it was postulated that in writing such poetry the poet was imitating his emotional experiences by " recollecting them in tranquillity . " In fact , not until imitation ceased to be the critical precept could lyric poetry ...
Page 212
... poetry from narrative and drama , suggests at the end of his essay that poetry belongs to the subdivision of literature which he calls Music , rather than to the one which he terms Oratory . What distinguishes Poetry is its refusal to ...
... poetry from narrative and drama , suggests at the end of his essay that poetry belongs to the subdivision of literature which he calls Music , rather than to the one which he terms Oratory . What distinguishes Poetry is its refusal to ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing