Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 59
... play ; the character has certain things to do because the play has such and such a shape . The structure of the play in its turn de- pends on the category of the play ; if it is a comedy , its struc- ture will require a comic resolution ...
... play ; the character has certain things to do because the play has such and such a shape . The structure of the play in its turn de- pends on the category of the play ; if it is a comedy , its struc- ture will require a comic resolution ...
Page 60
... play will depend on its structure ; if its structure requires a comic resolution and a prevailing comic mood , it will be a comedy . The play will have such and such a shape because of what the characters do . And what a char- acter ...
... play will depend on its structure ; if its structure requires a comic resolution and a prevailing comic mood , it will be a comedy . The play will have such and such a shape because of what the characters do . And what a char- acter ...
Page 227
... play , far from having a tragic impact , strikes me as a case of " good riddance . " The same could be said of Narcissus's fate at the hands of the mob . 25 . 26 . 27 . 28 . 29 . 30 . 31 . 32 . William Archer , Play - making ( New York ...
... play , far from having a tragic impact , strikes me as a case of " good riddance . " The same could be said of Narcissus's fate at the hands of the mob . 25 . 26 . 27 . 28 . 29 . 30 . 31 . 32 . William Archer , Play - making ( New York ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing