Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 44
... person , widely uses the referential function of the language , while lyrical poetry focuses on the first person and is intimately linked to the emotional func- tion . Yet it is not clear to which genre poetry written in the second person ...
... person , widely uses the referential function of the language , while lyrical poetry focuses on the first person and is intimately linked to the emotional func- tion . Yet it is not clear to which genre poetry written in the second person ...
Page 194
Joseph Strelka. the artist passes into the narration itself , flowing round the persons and the action like a vital sea . . . . The dramatic form is reached when the vitality which has flowed and eddied round each person fills every person ...
Joseph Strelka. the artist passes into the narration itself , flowing round the persons and the action like a vital sea . . . . The dramatic form is reached when the vitality which has flowed and eddied round each person fills every person ...
Page 263
... person , and on various in - between situations . The goal is to make more precise the usual assertions that the lyric is ex- pressed in the first person in all tenses , the drama in the second , utilizing the present tense , and the ...
... person , and on various in - between situations . The goal is to make more precise the usual assertions that the lyric is ex- pressed in the first person in all tenses , the drama in the second , utilizing the present tense , and the ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing