Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 105
... narrative fragments which do not constitute one coher- ent narration . But most commentators remain hypnotized by the word roman ; they do not say how they distinguish between a roman and a lengthy prose poem . In most texts called ...
... narrative fragments which do not constitute one coher- ent narration . But most commentators remain hypnotized by the word roman ; they do not say how they distinguish between a roman and a lengthy prose poem . In most texts called ...
Page 113
... narrative form of representation . Description presents man and social conditions as unchangeable and permanently fixed . Details are no longer meaningful because they fail to sup- port either action or structural configurations . In ...
... narrative form of representation . Description presents man and social conditions as unchangeable and permanently fixed . Details are no longer meaningful because they fail to sup- port either action or structural configurations . In ...
Page 159
... narrative nevertheless . Thus , it has a discernible structure , just as does " The Ragged Border Warrior " ; and ... narrative . So too , finally , with the legend of Marko and his struggles with the highwayman , Musa . The narrative ...
... narrative nevertheless . Thus , it has a discernible structure , just as does " The Ragged Border Warrior " ; and ... narrative . So too , finally , with the legend of Marko and his struggles with the highwayman , Musa . The narrative ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing