Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 113
... narration orga- nizes events , establishes a dynamic relationship between present and past , and involves protagonists in actions that capture the reader's attention and enhance his comprehension of social , politi- cal , and historical ...
... narration orga- nizes events , establishes a dynamic relationship between present and past , and involves protagonists in actions that capture the reader's attention and enhance his comprehension of social , politi- cal , and historical ...
Page 118
... narrator tries to convey a situation which few , if any , readers will have experienced personally . A precise , detailed ... narration to the ensuing battle with the fire in the cargo rooms . Literary texts require silhouettes for two ...
... narrator tries to convey a situation which few , if any , readers will have experienced personally . A precise , detailed ... narration to the ensuing battle with the fire in the cargo rooms . Literary texts require silhouettes for two ...
Page 119
... narration moves concentrically along a path comprising a description of the village , the shoemaker's house , and the two little children , thus encompassing the smallest unit . From this point the narration sweeps into a large circle ...
... narration moves concentrically along a path comprising a description of the village , the shoemaker's house , and the two little children , thus encompassing the smallest unit . From this point the narration sweeps into a large circle ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing