Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 95
... modes involves decisions in ontology and axiology . In order to orient a perspec- tive of interpretation , a mode must be able to provide a linguistic piece as a whole with a basic organization . In this respect , the modes may be ...
... modes involves decisions in ontology and axiology . In order to orient a perspec- tive of interpretation , a mode must be able to provide a linguistic piece as a whole with a basic organization . In this respect , the modes may be ...
Page 98
... modes are not a priori assumed to be more radical than the differ- ences between these three . The basic mode of literary criticism itself would be philosophi- cal . On the one hand , this orientation is opposed to the claim , or ...
... modes are not a priori assumed to be more radical than the differ- ences between these three . The basic mode of literary criticism itself would be philosophi- cal . On the one hand , this orientation is opposed to the claim , or ...
Page 103
Joseph Strelka. On the other hand , cognitive - practical modes are modes of com- prehension ; and as such they can ... modes is clearly chosen makes it easy for an interpreter to orient his perspective . But the choice of a mode results ...
Joseph Strelka. On the other hand , cognitive - practical modes are modes of com- prehension ; and as such they can ... modes is clearly chosen makes it easy for an interpreter to orient his perspective . But the choice of a mode results ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing