Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 125
... medieval rhetoric and poetics , " Medieval theory , on the other hand , best being grasped as development from an inheritance , the plan of the volume is historical . " But that is not to say that genre scholarship in the Middle Ages ...
... medieval rhetoric and poetics , " Medieval theory , on the other hand , best being grasped as development from an inheritance , the plan of the volume is historical . " But that is not to say that genre scholarship in the Middle Ages ...
Page 136
... medieval epic would have to be called religious , with the exception of Gottfried's Tristan , the Roman de la Rose , and a few others . The active characters in modern literature are usually carefully delineated as individuals . In medieval ...
... medieval epic would have to be called religious , with the exception of Gottfried's Tristan , the Roman de la Rose , and a few others . The active characters in modern literature are usually carefully delineated as individuals . In medieval ...
Page 144
... medieval studies must not wait for generative poetics to dispose over a mature and accepted scheme of features , or even until it has established its general type system . In today's situation of scholarship , collaboration has be- come ...
... medieval studies must not wait for generative poetics to dispose over a mature and accepted scheme of features , or even until it has established its general type system . In today's situation of scholarship , collaboration has be- come ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing