Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 101
... meaning does not designate , but performs , what is signified . A plaintive or angry tone will cover the designative meaning of “ It hurts " with gestural meaning . “ Perform ” is preferred to " express , ' because we are dealing with a ...
... meaning does not designate , but performs , what is signified . A plaintive or angry tone will cover the designative meaning of “ It hurts " with gestural meaning . “ Perform ” is preferred to " express , ' because we are dealing with a ...
Page 196
... meaning in mimetic works should rather be con- sidered “ not meaning at all , but implications of character , passion , and fortune derived from the interpretation of speech and action " ( pp . 54 , 65ff . , 71 ) . I fail to see why ...
... meaning in mimetic works should rather be con- sidered “ not meaning at all , but implications of character , passion , and fortune derived from the interpretation of speech and action " ( pp . 54 , 65ff . , 71 ) . I fail to see why ...
Page 212
... meaning rather than musicality : real poems do not possess a meaning , but they some- times offer one ; often they neither possess nor offer meaning , " by their interrogation , they merely postulate a meaning . " 16 The novel , which ...
... meaning rather than musicality : real poems do not possess a meaning , but they some- times offer one ; often they neither possess nor offer meaning , " by their interrogation , they merely postulate a meaning . " 16 The novel , which ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing