Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 66
... literature begin by offering as genus either literature itself or some obvious subcategory thereof . Indeed it is difficult to imagine a critic proceeding otherwise if he is actually trying to distinguish among kinds of literature . It ...
... literature begin by offering as genus either literature itself or some obvious subcategory thereof . Indeed it is difficult to imagine a critic proceeding otherwise if he is actually trying to distinguish among kinds of literature . It ...
Page 146
... literature ( as discussed in Geschichte der deutschen Literatur , edited by H. de Boor ) because its title speaks about “ literature ” in general but the book contains nothing about nonfictional literature . This criti- cism is totally ...
... literature ( as discussed in Geschichte der deutschen Literatur , edited by H. de Boor ) because its title speaks about “ literature ” in general but the book contains nothing about nonfictional literature . This criti- cism is totally ...
Page 195
... literature by the neo - Aristotelian critics of Chi- cago . Ronald S. Crane's protestation1o to the contrary , the Chicago concept of didactic literature ( as distinguished from philosophy and other forms of assertive discourse ) is not ...
... literature by the neo - Aristotelian critics of Chi- cago . Ronald S. Crane's protestation1o to the contrary , the Chicago concept of didactic literature ( as distinguished from philosophy and other forms of assertive discourse ) is not ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing