Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 7
... limited to one single form . But what exists de facto , fiction on the one hand and poetry on the other , both in forms that are nearly pure ( absolute purity being an ideal impossible to reach in our world of relativity ) , must be ...
... limited to one single form . But what exists de facto , fiction on the one hand and poetry on the other , both in forms that are nearly pure ( absolute purity being an ideal impossible to reach in our world of relativity ) , must be ...
Page 185
... limited by their present means and methods . In the context of our reflections on the relationship between struc- ture and reception , we must also touch on the question of auton- omy , which is concretized in a particular way in the ...
... limited by their present means and methods . In the context of our reflections on the relationship between struc- ture and reception , we must also touch on the question of auton- omy , which is concretized in a particular way in the ...
Page 258
... limited forays into traditional genre theory by members of the Prague Linguistic Circle hardly hint at the wide possibilities for applications of structural principles in the con- struction of a new artistic typology . We are left with ...
... limited forays into traditional genre theory by members of the Prague Linguistic Circle hardly hint at the wide possibilities for applications of structural principles in the con- struction of a new artistic typology . We are left with ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing