Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 146
... language in the twelfth century and its role as language model cf. K. Voretzsch , Einfuehrung in das Studium der altfranzoesischen Sprache , p . 2. About Veldeke's language cf. K. Ruh , Hoefische Epik des deutschen Mittelalters , pp ...
... language in the twelfth century and its role as language model cf. K. Voretzsch , Einfuehrung in das Studium der altfranzoesischen Sprache , p . 2. About Veldeke's language cf. K. Ruh , Hoefische Epik des deutschen Mittelalters , pp ...
Page 234
... language with H. Junker's con- cept of the three functions of language : language " as expression , demand or exhortation , communication or representation " ( p . 335 ) . According to Kayser , these brief references make it unneces ...
... language with H. Junker's con- cept of the three functions of language : language " as expression , demand or exhortation , communication or representation " ( p . 335 ) . According to Kayser , these brief references make it unneces ...
Page 244
... language of the thou follows the mythic language of the it . Magical and mystical literature thus form the two poles of archetypal liter- ary typology , while mythic literature represents a transitional mode or synthesis of the two ...
... language of the thou follows the mythic language of the it . Magical and mystical literature thus form the two poles of archetypal liter- ary typology , while mythic literature represents a transitional mode or synthesis of the two ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing