Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 58
... kind of a thing something is , and perhaps how it differs from other things of the same kind . As E.D. Hirsch and others have pointed out , the very act of reading - of coming to know a novel , poem , or play firsthand - involves ...
... kind of a thing something is , and perhaps how it differs from other things of the same kind . As E.D. Hirsch and others have pointed out , the very act of reading - of coming to know a novel , poem , or play firsthand - involves ...
Page 74
... kind . The closest link between genres and genu- ine evaluation was established by the neoclassical critics , who took a different tack . For them , membership in a genre was re- lated to value because the genres themselves were ...
... kind . The closest link between genres and genu- ine evaluation was established by the neoclassical critics , who took a different tack . For them , membership in a genre was re- lated to value because the genres themselves were ...
Page 90
... kind of drama ( tragedy or comedy , etc. ) , what kind of novel ( historical , psycho- logical , etc. ) , or what kind of poem ( song , ode , elegy , etc. ) one is dealing with that closer examination of the text becomes necessary ...
... kind of drama ( tragedy or comedy , etc. ) , what kind of novel ( historical , psycho- logical , etc. ) , or what kind of poem ( song , ode , elegy , etc. ) one is dealing with that closer examination of the text becomes necessary ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing