Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 8
... individual aspect which the syntheses of science let escape . " We may add that in the remarkable passage on the Septet of Vinteuil which serves as a prelude in La Prisonnière to the chapter of Temps retrouvé entitled " L'Adoration ...
... individual aspect which the syntheses of science let escape . " We may add that in the remarkable passage on the Septet of Vinteuil which serves as a prelude in La Prisonnière to the chapter of Temps retrouvé entitled " L'Adoration ...
Page 12
... individuals , then it is necessarily dual , as much as the individuals are dual . The individual - above all the human individual - shows , indeed , a dual aspect : corporeal and spiritual . He appears to us in an objective form , from ...
... individuals , then it is necessarily dual , as much as the individuals are dual . The individual - above all the human individual - shows , indeed , a dual aspect : corporeal and spiritual . He appears to us in an objective form , from ...
Page 150
... individual . We are currently less inter- ested in laws , rules , and precepts than we are with each singular being , less now with langue than with ... individual , and we become individual THE GENRES OF ORAL NARRATIVE Bruce A Rosenberg.
... individual . We are currently less inter- ested in laws , rules , and precepts than we are with each singular being , less now with langue than with ... individual , and we become individual THE GENRES OF ORAL NARRATIVE Bruce A Rosenberg.
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing