Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 35
... human action , modulating references to the decrees of Fate , and intermittent invocation to Apollo , Artemis , and Athena . In Shakespeare there is none of this . There is only the world of human society magnified to the proportions of ...
... human action , modulating references to the decrees of Fate , and intermittent invocation to Apollo , Artemis , and Athena . In Shakespeare there is none of this . There is only the world of human society magnified to the proportions of ...
Page 38
... human center of creativity — its possibilities , its lim- its , its necessary principles of performance . From Descartes to Kant philosophers saw their task as that on inquiry into the origin , the extent , and the validity of human ...
... human center of creativity — its possibilities , its lim- its , its necessary principles of performance . From Descartes to Kant philosophers saw their task as that on inquiry into the origin , the extent , and the validity of human ...
Page 39
... human experience . Both imply that there is an inherently dra- matic quality in all experience , so that drama is less a fortuitous human artifact than the characteristic expression of the histrionic sensibility native to the human ...
... human experience . Both imply that there is an inherently dra- matic quality in all experience , so that drama is less a fortuitous human artifact than the characteristic expression of the histrionic sensibility native to the human ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing