Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 99
... historical field is the field of what is to be verified and of operations of verification . On the contrary , if it is interpreted as fictionalizing , a narrative is axiomatic ( apodictic ) . Narrative fiction thus represents the ...
... historical field is the field of what is to be verified and of operations of verification . On the contrary , if it is interpreted as fictionalizing , a narrative is axiomatic ( apodictic ) . Narrative fiction thus represents the ...
Page 100
... historical for me if I relate it spatiotemporally to my own practical incarnation here and now.3 Historical statements may be predictions as well as retrodictions . A retrodiction implies a prediction , namely , that it will not be ...
... historical for me if I relate it spatiotemporally to my own practical incarnation here and now.3 Historical statements may be predictions as well as retrodictions . A retrodiction implies a prediction , namely , that it will not be ...
Page 105
... historical , rather than fictional . The criteria which govern the ap- plication of the term " novel , " as against " historical novel , " are not made clear . Some texts , which are presented as histories of litera- ture , deal with ...
... historical , rather than fictional . The criteria which govern the ap- plication of the term " novel , " as against " historical novel , " are not made clear . Some texts , which are presented as histories of litera- ture , deal with ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing