Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
From inside the book
Results 1-3 of 25
Page 76
... hero with , and the exclusion of the hero from , soci- ety . If these two formulas oversimplify almost any work 76 JOHN REICHERT.
... hero with , and the exclusion of the hero from , soci- ety . If these two formulas oversimplify almost any work 76 JOHN REICHERT.
Page 159
... hero , Marko has a special sword forged for his personal use , then with it sets out on his own search - and - destroy mission . Hero and villain fight ; but although Musa is slain , Marko is not exultant ; rather , he departs for an ...
... hero , Marko has a special sword forged for his personal use , then with it sets out on his own search - and - destroy mission . Hero and villain fight ; but although Musa is slain , Marko is not exultant ; rather , he departs for an ...
Page 198
... hero " ac- tively creates his fate , " the bourgeois hero in passive hubris warps his personality " for equity in material exchanges " ( pp . 87ff . ) . In view of this penetrating observation one is left wondering why Ibsen's and ...
... hero " ac- tively creates his fate , " the bourgeois hero in passive hubris warps his personality " for equity in material exchanges " ( pp . 87ff . ) . In view of this penetrating observation one is left wondering why Ibsen's and ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
9 other sections not shown
Other editions - View all
Common terms and phrases
aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing