Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 175
... given an equally talented author . Hamburger argues - correctly - by shifting to the various receiving selves : " Were we to be presented with this passage out of context , we would be able to view this barren height of the Julian Pass ...
... given an equally talented author . Hamburger argues - correctly - by shifting to the various receiving selves : " Were we to be presented with this passage out of context , we would be able to view this barren height of the Julian Pass ...
Page 258
... given devices take in a given literary type . Since this requires a considerable body of material which , Veltruský states , does not yet exist from the structuralist viewpoint , he chooses a second path , analogous to what Prague ...
... given devices take in a given literary type . Since this requires a considerable body of material which , Veltruský states , does not yet exist from the structuralist viewpoint , he chooses a second path , analogous to what Prague ...
Page 264
... given time ) and the potential artistic deviations and innovations related to these constructs for a given type of artistic utterance , genres are never static and must be studied both synchronically and dia- chronically . Genre is ...
... given time ) and the potential artistic deviations and innovations related to these constructs for a given type of artistic utterance , genres are never static and must be studied both synchronically and dia- chronically . Genre is ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing