Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 96
... field as a cosmos , would then appear as the raison d'être of the playful and aesthetic shifts of intentionality . If the field of our practical incarnation were a poetic cosmos , there would be no need , and no possibility , to write ...
... field as a cosmos , would then appear as the raison d'être of the playful and aesthetic shifts of intentionality . If the field of our practical incarnation were a poetic cosmos , there would be no need , and no possibility , to write ...
Page 99
... field is the field of what is to be verified and of operations of verification . On the contrary , if it is interpreted as fictionalizing , a narrative is axiomatic ( apodictic ) . Narrative fiction thus represents the inacces- sible ...
... field is the field of what is to be verified and of operations of verification . On the contrary , if it is interpreted as fictionalizing , a narrative is axiomatic ( apodictic ) . Narrative fiction thus represents the inacces- sible ...
Page 112
... fields and crystallized around clearly recognizable poles . The correlation of the poles , the specific arrangement of compositional elements , and thematic in- terrelationships determine a textual field . As a result of the various ...
... fields and crystallized around clearly recognizable poles . The correlation of the poles , the specific arrangement of compositional elements , and thematic in- terrelationships determine a textual field . As a result of the various ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing