Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 62
... fiction by Sheldon Sacks , in Fiction and the Shape of Belief . Sacks's purpose is " to explore the possibility that the variant principles of organization of coherent prose fictions limit the way in which a writer may embody his ...
... fiction by Sheldon Sacks , in Fiction and the Shape of Belief . Sacks's purpose is " to explore the possibility that the variant principles of organization of coherent prose fictions limit the way in which a writer may embody his ...
Page 141
... fiction of the bal- lad , on the other hand , is immediately apparent to every listener . This formal assignment of the nature of fiction - so peculiar to modern readers — is explained by the excessive significance given to form in all ...
... fiction of the bal- lad , on the other hand , is immediately apparent to every listener . This formal assignment of the nature of fiction - so peculiar to modern readers — is explained by the excessive significance given to form in all ...
Page 184
... fiction unreflected as em- pirical reality . Dramatic fiction , which cannot use the epic pret- erit , produces the same effect as epic fiction.41 It seems to me more crucial to the possibility , opened up by literary language , of ...
... fiction unreflected as em- pirical reality . Dramatic fiction , which cannot use the epic pret- erit , produces the same effect as epic fiction.41 It seems to me more crucial to the possibility , opened up by literary language , of ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing