Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 19
... fact , of the entire eighteenth century - to an attempt to analyze literary forms as necessary outcomes of di- vergent modes of perception ; to trace the forms of literature to ultimate " propensities ” or “ faculties " of human nature ...
... fact , of the entire eighteenth century - to an attempt to analyze literary forms as necessary outcomes of di- vergent modes of perception ; to trace the forms of literature to ultimate " propensities ” or “ faculties " of human nature ...
Page 57
... fact that literary works can be classified or separated into groups or genres on the basis of similarities found within them , and let us consider genre theory - a subcategory of genre criticism - as the attempt to use the existence of ...
... fact that literary works can be classified or separated into groups or genres on the basis of similarities found within them , and let us consider genre theory - a subcategory of genre criticism - as the attempt to use the existence of ...
Page 185
... fact that reality , as a design of reality , is a " world of its own , " categorically divorced from our empirical ex- periential reality.44 This is one aspect of the question of autonomy . The production horizon thus acquires ...
... fact that reality , as a design of reality , is a " world of its own , " categorically divorced from our empirical ex- periential reality.44 This is one aspect of the question of autonomy . The production horizon thus acquires ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing