Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 113
... elements that shape the action and consequently heightens the reader's interest in the success or failure of literary figures . The sharp delineation of Lukács shows clearly why he prefers the narrative form of representation ...
... elements that shape the action and consequently heightens the reader's interest in the success or failure of literary figures . The sharp delineation of Lukács shows clearly why he prefers the narrative form of representation ...
Page 116
... elements . Rather than expand , the reader's horizon of expectation contracts . The structural character of the silhouette may be compared to the stylistic function of the pause in poetry . The difficulty , then , is to describe an element ...
... elements . Rather than expand , the reader's horizon of expectation contracts . The structural character of the silhouette may be compared to the stylistic function of the pause in poetry . The difficulty , then , is to describe an element ...
Page 265
... elements and non - normative elements may coexist in each manifestation of a genre . In fact , since norm violation is raised to one of the constructive principles of the aesthetic func- tion , the non - normative elements are of ...
... elements and non - normative elements may coexist in each manifestation of a genre . In fact , since norm violation is raised to one of the constructive principles of the aesthetic func- tion , the non - normative elements are of ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing