Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 41
Joseph Strelka. Adrian Marino TOWARD A DEFINITION OF LITERARY GENRES The main question is to find a satisfactory method of analysis and definition of literary genres . For obvious reasons such a method cannot be logical or historical or ...
Joseph Strelka. Adrian Marino TOWARD A DEFINITION OF LITERARY GENRES The main question is to find a satisfactory method of analysis and definition of literary genres . For obvious reasons such a method cannot be logical or historical or ...
Page 46
... definition of structure remains far more acceptable . The genres are structures in the sense of being unitary modes of literary construction , the principle on the basis of which Aristotle himself pointed out that the poet " was not ...
... definition of structure remains far more acceptable . The genres are structures in the sense of being unitary modes of literary construction , the principle on the basis of which Aristotle himself pointed out that the poet " was not ...
Page 49
... defined as such . Hence the hesitations , the nuances , and the infinite paradoxes of literature , which cannot be reduced to stable or univocal formulas . The ma- jor , essential genre of the creative self is therefore by definition ...
... defined as such . Hence the hesitations , the nuances , and the infinite paradoxes of literature , which cannot be reduced to stable or univocal formulas . The ma- jor , essential genre of the creative self is therefore by definition ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing